
Thomas - the really useful engine
I have a two year old son obsessed with the children’s program, Thomas the Tank Engine. This means by default, I am also a Thomas the Tank Engine Fanatic – because it is constantly on! To my surprise watching Thomas the Tank Engine has been an engaging experience – I am shocked and a little disturbed by the profound cultural layers this show possesses. (I know, I know, I have to get out more). I must admit I do like the little models, and the island where the engines live seems so peaceful and scenic I’d actually love to go for a visit (bloody hell, I do have to get out more!).
There are four types of characters in the show: humans, trains, carriages and trucks. I want to describe each one before I get into the meat of the subtexts that I perceive.

The Fat Controller
Humans. The main human is a character called the Fat Controller. He is in fact, fat - the only person represented as so in the show – and is in complete control of the island. Whenever anything goes wrong the engines shudder in fear at the potential reprimand of the paternalistic fat controller, who manages the engines with a firm but friendly hand. The other humans are drivers, signalmen and quarrymen (yes, all men). They are all dressed according to their rank. The drivers have ties on, the signalmen have overalls, the quarrymen have work clothes (except the foreman who has a suit on). The fat controller wears a top hat and tails!

Diesel - the devious engine
Trains. There are two types of trains. The good trains are the steam engines. Their only purpose in life is to be called a ‘Really Useful Engine’ by the fat controller. They are incredibly grumpy much of the time (except Thomas who is usually happy). They are always telling each other off, tricking each other and can be vain. The other thing they share in common is a loathing of the diesel engines who are threatening to take over the role of the steam engines. The diesels are represented by a black engine (yes, black!) called diesel who is a conniving, back-stabbing villain. The rest of the diesels are women. The women diesels are nicer than the black Diesel, and look constantly toward the steam engines for guidance.
Carriages. The only thing to be said about the carriages is that they are all placid, subservient and female. All the steam engines are, you guessed it, male. The females are pulled around by the males and told what to do. They hate to be apart. If a steam engine has to be apart from his female carriages he gets very upset indeed.

A proletariat truck
Trucks. The engines are constantly shunting trucks, getting them in order for the quarry or the harbour. They are a faceless mass who are intent on causing trouble for the engines and therefore for the island society in general. Every wise engine knows they have to treat the trucks harshly to keep them in line.
You may well have picked up on a number of sub-texts in the program from what you have read. Basically this program is the most class-ridden, old fashioned, conservative program ever made for children – I’m sure of it. And although written originally in the 1940′s it first aired on television in the 1980s. This is well after the cultural revolution of the 60s.
Now for my sub-text rave! Essentially the steam engines represent the middle class who are subservient to the upper class as represented by the fat controller (who is corpulent, representing wealth and luxury). Their only purpose is to serve him and be loved by him. If not, they are potential scrap. The trucks represent the Proletariat or the working class who have to be kept under control in case of some kind of Marxist insurrection, in which the ‘natural’ order of the island would be disturbed. The trucks are constantly trying to create disorder but are bullied violently into submission by the engines, all with the blessing of the fat controller. Women are either docile subservient creatures who follow their men dutifully around or are represented as diesels, who threaten to overthrow the steam engines, possibly a nod to the feminist movements challenge to the patriarchal order. And as for blacks, they are represented solely in the evil Diesel who intends to overthrow the Steam Engines, perhaps a nod to West Indian immigration into the UK mid 20th century. Finally, the program is obviously some kind of nostalgic reflection on a ‘lost’ Britain where everyone, in a class based society, knew their place. In this show all is well and peaceful when everything is in its correct place (unless of course you don’t fit in, in which case, like the trucks, you are brutalised).
I tried explaining all this to my son but he would not have a bar of it. He simply said ‘Move Daddy’ because I was blocking his way. When I tried to put ‘Communism for kids’ on he simply screamed at me till I put Thomas back on, then he demanded I leave the room - what on earth am I going to do? OK, OK if these subtext are in any way correct I greatly doubt that Rev Awdry, who originally wrote the stories for his children, had all this in mind. But it sure as hell stands out to me!
Note: I have two confessions to make: 1/. I don’t really own a DVD called Communism for Kids and do not want to own a DVD called Communism for Kids! 2/. I have based this blog on the classic series. No doubt the newest series is more politically correct – but then again maybe not. Anyone know?
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yes the classic series is very much a layered view to adult eyes, I always wonder how much of this is being absorbed into their young brains? I also wonder if anyone has taken this seriously and researched into it??
I wonder the same thing. Its probably a good idea to find a show that balances out the effect!
If you do manage to acquire a copy of Communism for Kids then you’ll have to invite me over to watch it.
The book is being written as I write this:
http://www.enterstageright.com/archive/articles/0105/0105comkids.htm
Absolutely. A real popcorn and coke job I reckon.
I wondered if I was the only person who had picked up on the Communism in Thomas, so I googled it and your blog came up. I like your reading of the stories’ gender portrayals– very interesting! And yes, *I* need to get out more as well.
Ha! I know. My son is forcing me to watch series 5 as I type. I’m glad you enjoyed the read
Hi! I just did a web search to see if anyone else had the same thoughts about Thomas and communism and it was surprising to see how many blogs there are on this topic. I totally agree with your concerns and have been trying to convince my friends and family of the same thing for two years now!
It’s amazing how many of us are thinking about this show and its implied statements about society. I wonder if the show’s programming my bubs or if in fact they just like the big smiley faces!
YES YES YES!!!
My son is also OBSESSED with the Thomas books and DVDs. I picked up on the Communist references almost two episodes in! EVERYTHING revolves around ” usefulness” of the engines, i.e. “contributing to the common good/ideal”, one of the most prevalent Communist ideals. If they are no longer useful, they’re threatened with dismemberment!
There are a number of inconsistencies I picked up on, many of which the thread-starter identified, so I’m not going to waste your time with my thoughts but YES! THOMAS IS COMMUNIST!!!
HOW DO WE PUBLICIZE THIS?!?!
I have to say that I have never suggested that Thomas the Tank Engine is full of Communist references. Thomas was written in the traditional class-obsessed rigid structures of 1950′s England. The gender stereotypes, racist undertones and hierarchical structures I think are more reflective of a traditional English society, which was of course democratic with a monarch at the head.
The greatest crime the trains commit is to create confusion. This is symbolic of the smooth functioning of capitalist society. There was so chance to create confusion in a communist society as there was simply no free choice. But please anyone, what are the communist sub-texts you identify?
I recognize the proletarian and socialist aspects of the working class and the need for the establishment to hold them in check. And remember it Thomas the Tank Engine (working class) and friends, not Gordon the Tender Engine (i.e. upper class) and friends. Thomas is happy because he’s such a good worker. Gordon and the other tender engines refuse to shunt their own cars. Sir Topam Hat is powerless to make them work so he uses the Thomas, Percy, and Edward to teach them a lesson while they are left cold and lonely in Tidmouth Sheds. So you have to ask yourself, who is the Revered W. Awdry sympatric to, the working class, the upper class, or the truly elite?
Sir Topam Hatt hates confusion and delay. Sir Topam Hatt likes useful, helpful engines, which listen and do as they are told. This is reinforced by giving the useful engine more work or more appealing work tasks and it is true that the engines are held in check by fear, but usually fear generated my misunderstanding or false assumptions, because Sir Topam Hatt would never scrap a useful engine. However, it’s Edwards and the Reverend that have to save an old, but once extremely useful, steam tractor from the scrap pile.
So what conclusions can be drawn? First that Sir Topam Hatt is worried about getting the work done and keeping his workers towing the line. Second, if the workers speak up or protest they are shut down, left out in the cold. Third, Sir Topam Hatt is a stern, but kind man who rules with a velvet glove.
At first glance one suspects that the series has a communist slant, but maybe it’s just the fear of the proletarian revolution that will lead to socialism and then communism. The fear the monarchy could be overthrown and the capitalist dictator would prevail. This is illustrated by the story where Emily sees a castle in ruin on the far side of the Island of Sodor. The island had once had a king and queen that ruled, but now they are gone. In this story Emily wants to be queen for a day and tell everyone what to do but she fails, causing confusion and delay. She is scolded. Then she herself admits that such matters are better left “…to a king or queen or…” then she says half joking to an wiser older male tram engine like “…Toby.” Any time Emily gets bossy, trouble ensues and she is reprimanded for her confusion and delay.
It seems that the Reverend W. Awdry was stuck between two worlds. He saw the need for a ruling class, but felt sympathy for the working people. So his advice was work hard, be useful, serve the boss, and stay out of trouble. He squashes any hope of the worker standing up for himself. He stifles personal initiative; advising your child to just listen and do what they are told and you won’t get yourself into trouble. Conform to the doctrine; it’s in your best interest.
I just read this again. A great and thoughtful reply.
My two oldest sons are crazy about Thomas and his friends; trains everywhere, train table, different themed tracks, the whole shebang! After watching an episode, my husband and I started discussing a racial undertone in the show. We are Africa America and immediately picked up on the Diesel “black” issue. We didn’t think too far past that, but your subtext are so true. I decided to search the issue and was surprised as well with the results!
Hi. Thank you for this feedback.
I’ve always felt that the Fat Controller is actually a Marxist dictator of the island of Sodor.
Really? I just don’t see it. Lot of people draw links between Communism & Thomas. I see Capitalism at work – but yeah, such a robust train system would surely require some kind of state intervention. Clearly the Reverend was more complicated than he seemed!!
The design for your weblog is a little bit off in Epiphany. Even So I like your website. I may need to use a normal web browser just to enjoy it.
Why thank you!
I haven’t heard of epiphany. Will have to investigate.
lol is this a joke
Sure! If it makes you laugh, why not?
Haha. I love your post and all the subtext. My son absolutely loves Thomas as well. There is a really great youtube clip by a 2 year old retelling one of the episodes called Rusty and the Boulder. Hope you like it.
http://www.dailyvowelmovements.com/2012/07/rusty-and-boulder-as-narrated-by-2-year.html
Thank you! Gorgeous! Glad you enjoyed the read.
Hilarious… like a few others, I googled “thomas tank engine communist,” and this is one of the first results.
I’m basing my observations on the newer series, where everything is CGI, no real models (and none of the charm that came with them). In the newer ones, there is a female engine (Emily), and I think I’ve only seen the diesel once, and wasn’t watching too closely on that one. I haven’t really seen the carriages or the trucks given any prominent roll, or really ever mentioned as their own entities.
Personally, I did pick up on more of a communist undertone. As has been said, everyone’s goal is to be “really useful.” The biggest honor is the “special special” (what an idiotic term), which is just the “most important job” for the day, and the biggest source of happiness for the engines is making Topam Hat happy. The thing that really caught my attention, though, that I haven’t seen mentioned, is that it seems the only way to be “really useful” is to follow Topam Hat’s orders to the letter. Whenever any engine (usually Thomas, but others as well) has *any* inclination of their own, it *always* causes a problem. One episode even had an engine that was hung up on doing good deeds for the day, and every time he tried, he screwed something up. Remember kids… don’t think for yourself… don’t try to do good deeds on your own… just follow orders… the “great leader” knows best… fulfill your assigned station to the letter and without complaint… and perhaps the “great leader” will grace you with a kind smile for a reward, and what better reward could there be?
Perhaps an alternate interpretation of your initial analysis could be that the engines are the politburo. As I said, though, it doesn’t appear that there are as many “classes” in the newer version; it just looks to me like all the engines are the proletariat striving to please the state (Hat).
BTW… considering how much Thomas screws up all the time, I would have scrapped his ass long ago.
Thanks for this thoughtful reply – Interesting stuff. Makes me wonder if these changes in themes from the models to CGI suggests an awareness of needing to update the show. If the reverend was reflecting the class based society he found himself in, is the modern version a reflection of contemporary capitalism. Firstly the state and capitalism are virtually indistinguishable, one supports the other – so Topham fits that combination nicely. Perhaps we are witnessing the disappearance of the middle class sic 1% vs 99%. And wouldn’t the 1% love the population to behave as the trains do. Obedient and hard-working. An updated capitalism. You, as others have, describe stalinism, a state-controlled dictatorship which is not communism but a more depressing version of state-controlled capitalism, which is a dictatorship with the promise of stuff. So perhaps the CGI is an updated capitalism, politically correct, embracing all in a new kind of dictatorship. Poor Thomas – all he wants to do is pull his carriages: he couldn’t care less which system controls.
This is positively one of the most interesting sites I have seen.
It is so easy to tune out, but there’s honestly still some first-rate stuff online, and I feel your website is absolutely on the list!
Thank you so much for this feedback
I’m glad you’re enjoying the pieces. Your kind words motivate me to blog more as I have been absent for some time now due to a PhD and two busy kids.
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